Canto Mensurable editions Editions of Sixteenth and Seventeenth-Century Polyphony

Parce mihi Domine

SM-000325186
Parce mihi Domine
Arquivo de partitura musica incluindo uma licença para um número ilimitado de apresentaçoes, limitado por um ano
4.99 USD
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descripção

Compositor
Manuel de Tavares
Arrajador
Luís Henriques
Editora
Luís Henriques
Gênero
Clássico / Motete
Instrumentação
coro misto
Composição para
Coral
Tipo de composição
Partitura vocal
idioma
Latim
descripção
Manuel de Tavares’s motet Parce mihi Domine, for seven voices (SSAATTB), is preserved in Libro de Coro III, from Puebla Cathedral, Mexico. The work is indicated for the Officium Defunctorum and is part of pro defunctis collection of music that makes choirbook III.
In this edition clefs were used according to the modern practice, with the g2 clef corresponding in the transcription to the c1 (in the case of the superius) and c3 (in the case of the altus) clefs, the g2 clef transposed to the lower octave was used for the c4 (in the case of the tenor) clef, and the F4 clef was maintained (in the case of the bassus). Original note values of the source were kept in this edition, as well as the original pitch in the source. The final notes were figured in order to complete the measure where they occur. The ligatures were marked according to the conventional way, with the use of the horizontal square bracket, whole, in the case of ligature. The occurrence of accidental signs present in the source was reproduced, being omitted in this case those after the first, according to the modern convention. Editorial accidentals and the following were placed over the staff, in a smaller size than the accident present in the source, affecting the respective note. Cautionary accidentals deemed necessary were also added over the staff in a smaller size between curved brackets. The orthography has been regularized with the use of capital letters and the syllabic division of the texts according to the modern convention.
data de postagem
30 jan 2018

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